| INTERNATIONAL
SHOAH ART MUSEUM & HOLOCAUST/ GENOCIDE EDUCATION THROUGH ART AQIVA KENNY SEGAN, ARTIST & EDUCATION DIRECTOR |
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PO Box 1721, Seattle, WA 98111 U.S.A. |
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All the artworks in Under the Wings of G-D
No
human race is superior;
Fundamentalism
means the thinker is
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Please click to enlarge 1991
Please click image to enlarge The lower right photo was used for the Muranow drawing
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Section
One: UWG No. 1 - 10 UWG Art
No. 1
I was struck by the three figures: the conductor and two men on either side of the of the front of the trolley, all of whom, I contemplated, probably went up in smoke in the gas chambers or died in the ghetto, itself a concentration camp where over one-hundred thousand people died in 1941. The trolley itself would have been removed by the Nazi's for its valuable metal. Ulica (Polish for street) Muranowska was a well-known street in the old Jewish quarter of Warsaw. After drawing the trolley, I was transfixed by its innocence - surrounded by the white space of the drawing paper, and I decided to add wings. The two wings were drawn on subsequent visits to the Burke Museum of Natural History at the University of Washington in Seattle. After completing the wings I had my photographer take a photo and he made an 8x10" black and white print. It reproduced so well at that size that I decided to create a drawing series based on archival and family photos. The series of fifty works, of which over forty are completed as of 2000, is meant to offer a "restoration of dignity to the memory of those murdered because of their birth." Admired not only for their aesthetic beauty, they are accessible to children, youth and adults. In school presentations, the drawings have been warmly received by students of a wide variety of religious, ethnic and national backgrounds, among them Christians, Buddhists, Jews and Muslims. Lessons to be learned from the Holocaust have universal applications useful to all people.
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Please click image
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MAN
WITH TATTERED COAT Mann mit zerrissenemem Mantel Czlowiek w zniszczonym plaszczu UWG Art No. 2 Drawn from a photo of a man, perhaps in his 20's or 30's whose coat appears to be unraveling everywhere, exposing layers of fabric and the insides of the garment. I was struck by his gaze directly into the camera's lens, and his look which was not dissimilar to young homeless men and women I see in downtown Seattle everyday. As in photos of other people taken by Nazi soldiers in the Warsaw Ghetto, this man sits on the sidewalk, waiting... The drawing was inspired by this photo. It is in the chapter titled Ecce Homo in the book The Warsaw Ghetto - 45th Anniversary of the Warsaw Ghetto Uprising.
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Monday, February 7, 1944 |
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Please click to enlarge
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CHILD LIFTING HEAD OF MAN WHO DIED ON
THE STREET Kind hebt den Kopf eines auf der Strasse gestorbenen Mannes hoch Chlopiec podnoszacy glowe zmarlego na ulicy czlowieka UWG Art No. 3 Drawn from one of two Warsaw Ghetto photos that must’ve been taken in quick succession.
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![]() Please click to enlarge 1992 26 3/4 inches H x 39 W 67.9 x 99 cm Framed
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CHILD WITH CAP Kind mit Mütze Dziecko z czapka UWG Art No. 4 Drawn from a Warsaw Ghetto photo seen in "The 45th Anniversary" It is unclear whether the child is a boy or a girl (although most girls and women think both the photo and my drawing are of a girl; most boys and men think otherwise). After completing the portrait, I approached the drawing of the wings with great alarm for fear of ruining a perfectly good portrait. After many months of delay (during which time I worked on other works in the series) I began the wings; fortunately, thankfully (!) each succeeded, to my great relief. |
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![]() Please click to enlarge 1992 37 3/8" H x 29 1/4" W 93.9 x 74.2 Framed with the support of the Museum of History & Industry, Seattle |
OLD MAN PRAYING Alter betender Mann Stary modlacy sie mezczyzna UWG Art No. 5 Inspired by a photo of an unknown religious man praying in a secret hidden schul, or synagogue, in the Warsaw Ghetto. The Germans banned synagogues, study houses, schools, orphanages and other institutions of everyday life, but they flourished underground.
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"The Angels, I think, represented that even ordinary people
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