PARTIAL CATALOGUE OF SEGAN ARTWORKS, ca 1972 – present.

This list is not complete. Compiled summer 2002; does not include Under the Wings of G-D artworks. Height precedes width, in inches. Listings are alphabetical in each category. 

LINOLEUM BLOCK PRINTS (LINOS, aka LINOCUTS) 

Alex Schwarz in Wïen '99.  5"H x 4"W. 2002. Monochromatic, in black, blue. 
Anne's Plant. Monochromatic in solid colors. 1970-71. 12 x 10 7/8
Aztec Calendar Stone. Monochromatic. 1973. Circular – 12” circumference.
Brighton & Hove Hebrew Synagogue Sculptural Chanukia, England,
 2004. 15 x 21 inches; 39 x 53 cm.
The Cafeteria. Color reduction. 12 x 12. 1976.
Dan Weismann. Two color, 2 block., 1976. 12x10”
Ethel Rosenberg in her apartment, red ink, edition of 23; dated May 13, 1974, 12 x 10
5,000 Segano’s Banknotem - Payable on Demand. 1991. 
     Monochromatic in solid colors. 14 1/2" H x 21" W
Howie Lewis in New York Subway. Two color., 1971. 12 x 12”
Jerry Brozowski Reading (aka: Jerry Brozowski Reading 'Diario de un
      Revolucionario Puertoriqueno'; aka: Comrade JB)
      12x12”. B & W. Also: Four-color multiple plate proofs.
Laundry Bag Room Rising, single color. Dec 1972. 12 x 12”
The Mission (after Raphael Soyer).  3 x 3. 1975. One known proof.  
The Music Hall Theatre. B & W. 12 x 12. 1991.
Night Church in NY.  Monochromatic. 1973-4, 12 x 12”
Portrait of a Man. B&W. 1976. 4” H x 3” W
Portrait of Ethel Rosenberg. Magenta.. 1973-74. 12 x 12”
Primo Levi. Monochromatic in single color. 1993-2003. 14 1/2" H x 21"
Rabbi Hillel: Thou Shalt Love Thy Neighbor as Thyself. 
     State II: with Hebrew lettering. B & W. 1975-76. 12x10”
The Repression of the Revolution. B&W, also printed in blue. 12" x 12.
     dated Oct 1973
Self-Portrait No. 1. B & W lino, 1973. 11 x 12
Self Portrait (aka: The Spaghetti Portrait, the Hairy Portrait), B & W lino, 1976. 12 x 9”
Tom Mooney – Political Prisoner. B & W, 1972-73. 12 x 12”
Tree with Heart. B & W. 
[begun in Illinois ca. 72-77, or from Missouri, ca. 78-80?]
Victoria Palace Theatre, London. B&W. 12 x 12. 2004.
Vietnam: Summer Special No. 1. Black & white. 1973. Size:
Will They Free Me? Monochromatic in red. 1973. 12 x 12”
Woman in Black. B&W .  4" H x 3" W. 1974
The Worker (aka: The Downtrodden Worker). B & W. 1976. 12 x 10”

WOODCUTS:
Big Twist at Merlins, Carbondale. Four color. 24" H x 18" W. 1976. 
Carbondale Grainery. Color reduction. 1975 or 1976. 10" H x 16" W
King David. Color woodcut, four blocks.  24 x 24. 1977. 
The Magic City - Jerusalem. 1975. B&W. Size: 22 x 30 (?)
Scott Mutter at B & Z’s (Bubby & Zadie’s deli, Champaign, Ill.).
     Monochromatic. 1973. Size:
Tree. Black & white proofs. Four color a la poupee with 2nd block version.
      1975. 24 x 22. 

ETCHINGS. ALL ZINC PLATE, NITRIC ACID ETCHED
(with the exception of The Ichthyologist) 

Abraham Cahan. Monochromatic (magenta) etching, aquatint, with drypoint. 
     23 ½ x 17 ½. 1982. 
Alan Paton. Etching. 12 x 9. 1982. B & W.
Albert Einstein. Etching. 18 x 24. 1981.
Aleichem, Babel and Buber - Three separate etching plates were proofed side by side; three of these proofs - 1985. 
America, America Sing Me the Song of the George Washington Bridge.
     B&W etching. 1977. 16 x 20.
Archaic Forms XYZ, 123. 23 ½ x 35 ½. Hand colored etching & aquaint. 1980.
Aquatic Diagram – same as Archaic Forms, but printed with rolled on color in different colors; Archaic Forms was printed in traditional etching style.
Bela Bartok. 24 x 18. Etching, aquatint. 1981. Aka Portrait of Bela Bartok. 
Issac Babel. Etching. 12 x 9.
Babel and Aleichem (two plates printed side by side)
Bridge and Foliage Fantasy. 19 ¾ x 16 3/4. 1976.
The Boar’s Head Dream. 24 x 18. Etching, aquatint. 1979.
The Building. 23 ½ x 27 ½. Etching, aquatint. 1979.
The Bridge. B & W etching with hand-colored watercolor. 1977.  23 ¾ x 13 ½.
Carbondale Grainery. Etching with electric engraving, burnt umber. 1976. Approx 12 x 18.
Caruso’s Perpetual Motion Machine. 20 x 16. 1977. Etching: sepia. 
Cathedral spire, insect and time (combined side by side printing of Church in Krakow drypoint and Insect # 2 etching)
Chanler’s Reedbuck Still Life No. 1. Etching, aquatint, hand-colored. Two plates, 
     side by side. 25 ½ H x 37 W. 1983.
The Chicken. Etching. 1979-80. 11 5/8  x 17 ¾.
The City. Etching. Monochromatic. ca.1985. Size: ?
Construction. Etching, aquatint with 7 inset plate sections. 1978. 24 x 36”
Dreams of the Faith. Two color etching, aquatint. 17 ½ x 23 ½.  1979.
Dream! Oh Dream! Of Sailing Ships & Shining Seas! Yes, Indeed! Etching, aquatint with lino. 23 ½ x 17 ½. 1979.
The Dream of the Cartographer. Etching, aquatint in sepia ink. 18 x 24. 1979.
The Dream # 1. Etching. 12 x 9. 1978. 8 7/8 x 10 7/8.
The Dream # 2., Etching, aquatint. 11 ¾ x 8 5/8 (width?). 1978.  
Ed Babbled: He Knows (Prufock). Etching, drypoint. 24 x 18. 1984
Early Zionists: Elieizer ben Yehuda and Ahad Ha’am. Etching, aquatint.
     17 ½ x 23 ½. 1981.
Elie Wiesel. Etching & aquatint treated as a mezzotint. 1980. 12 x 9, black & white.
Fantasy Bridge. Etching, sepia. 18 x 24. 1980.
Fish Skeleton with Landscape [aka …with Seascape.] Etching. B & W; some hand-colored. 1980. 8 ¾ x 23 ¾.   
Fish with Glyph. [aka Fish with Hieroglyphs.] Etching, color. 1982;
     size probably 18 x 24. 
Groucho Rides Again. Etching, aquatint with drypoint. 23 ½ x  25 1/2. 1983.
Genesis I. Etching, aquatint, electric engraving. 18 x 24. 1976.
Homage to Chagall. Etching, aquatint; (a la poupee) color and
    monochromatic proofs. 18 x 24. 1977.
Homage to Scriabin. Etching. Sepia. 20 x 16. 1977.
Hieroglyph No. 1. Etching, aquatint.
Insect No. 1. Etching, aquatint. 8 7/8 x 9 ¾. B & W.
Insect No. 2. Etching, aquatint. 9 x 12 3/8. B & W. 
Insects (Insect # 1 & 2 printed side by side).
The Ichthyologist. Etching on magnesium. 1979.
John Brown of Harper’s Ferry. Etching, sepia. 1982. 16 x 20.
Jonah’s Whale. Etching, aquatint. Monochromatic sepia.
     Also proofed with a la poupee color proofs. 23 ½ x 35 ½. 1977-78.
King David with Lute. Etching, aquatint. 1980. 24 x 18. B & W
King of the Beasts. Etching, aquatint. Monochromatic in color.  23/ ½ x 35 ½. 1979-80.
Kitchen Philosophy. 1976-77. Color etching. One proof was printed. 18 x 24; collection Dr Michael and Marla Reed.
The Law is the Eyes That Are Handcuffs That Are Always Watching…YOU!  Etching, aquatint. 1980. B & W. 24 x 18
The Metaphysician. B & W etching, aquatint. 18 x 24. 1978.
Martin Buber. 11 ¾ x 8 7/8. 1981. B & W etching.
Mexico. Intaglio etching, aquatint. B & W. 18 x 24. 1979.
Morris Library [SIU, Carbondale]. Monochromatic etching, aquatint in blue, with colored pencil hand- coloring.  1976. 17 ½ x  23 ½ 
Mother & Child. Etching, aquatint in sepia.  24 x 36. 1978-79. One known proof. 

Picasso's Harlequin, line etching, only one proof was printed, on newsprint, coll. of the artist. 10 7/8 x 9 1/8. Approx 1975.
Portrait of DW. Etching. B & W.  1976. 11 ¾ x 15 ¼. 
A Portrait [aka Old Man]. Etching.  8 ¼ x 11 3/8.
Pescado, Tiempo & Antiguedad
Self Portrait at Age 32. Etching, aquatint, drypoint, a la poupee color print. 18 x 24. Three proofs were printed.
Self Portrait with Beret. Etching, aquatint. 1978. Photo plate from  ink drawing. 12 x 9; whereabouts of the drawing  are unknown.
Sholom Aleichem. Etching. 11 5/8 x 8 7/8. 1983-84.
Sigmund, Accompanied by His Beloved Common Newt, Engaging in Social Intercourse with His Spiny-Tailed Butterfly Fish. Etching, aquatint. 1983. 22 x 28. 
Spatial Fantasy # 1. Etching, aquatint, burnt umber. 1977.
     35 ½  x 22 1/2.
Spatial Fantasy # 2 (aka The Bagel). Color etching, aquatint.
     36 x 24. 1979-80. 
     One known proof, embellished with drawing; purchased by Memorial Union at University of Missouri and subsequently stolen or lost.
States of Mind: Edges of the Night. Etching, aquatint in blue ink. 23 ½ x  17 1/2, 1978.
The Transmigration of Souls. Etching, aquatint. 1983. 18 x 24. One proof printed, collection  of Royal Aberdeen Infirmary, Aberdeen, Scotland.
 The Visor. B & W etching, aquatint. 24 x 18. 1980.
What Does It All Mean? Tell Me! Etching. 1978(?) One sepia proof;
     and one  a la poupee color proof was printed.  

AQUATINTS:

The Vanishing American Eagle # 1. Color aquatint. 36 x 24. 1977-78.
      [Previously titled: Homage to the Mayans I]

LITHOGRAPHS, STONE & ALUMINUM PLATE:

Beethoven. 1975 (?) 18 x 24 B & W (limestone)
Barren Landscape. 1975 or ’76. B & W. Size: (limestone) 
Jacob Adler of the Yiddish Theatre. 1982 (?).
     (aluminum plate). Monochromatic and also hand-colored proofs.

Delacroix Riding the Bumper Cars (aluminum plate).  10 x 12. 1983.

DRYPOINTS. ALL ZINC PLATES (except Self-Portrait with Starving Artist):

Architectural Details in Aberdeen, Scotland.  21 x 29 ½. 1987
The Bank President Lecturing the Chairman of the Board.
     1984. B & W. 12 5/8 x 23 ¾
Church in Krakow. 9 ¾ x 9 ½. 1985. B & W.
His Majesty’s Theatre, Aberdeen, Scotland. 18 ½ x 29. Sepia.  
Karl M. 1981. 35 ½ x 23 ½.  Burnt umber; also hand colored proofs 
Ornithoid Hominidae. 1981. B & W. 12 x 9
Portrait of Louis Jamison. 1981-82 (?). 15 ½ x 19 5/8. B & W . Three
      known proofs.  
Self Portrait with Starving Artist. Blue ink. One known proof (copper). 8 x 9 1/8.

 SOME MIXED MEDIA WORKS & DRAWINGS CREATED SINCE 1975
 

Dancing Trees at Greenlake, sewing tray with drawings,
     16 5/8 x 24 5/8 inches.
     Collection Joan Prugh & Walter Gerash, Denver. 

Heidi’s ZooWerk.  38 H x 47 W x 11 ½ Depth, 1986. Mixed media. 
     Dismantled & destroyed 2001.
Jesus C in Krakow, 1985.
    17 ¾ H x 17 ½ W x 1 ½ depth. Collection EN, Seattle.
Sidari Landscape, Greece. Color drawing. Approx 16 x 20. 1985.
     Collection of the Artist. 
The Sea Voyage, drawing.  
The Hills & Dales of My Country Estate. Color drawing. 24 x 18.
     1991. Private collection, Seattle. (owners name lost).  
Temple de Hirsch Sinai. Mixed media drawing. 16 x 20 (?), ca. 1987.
     Collection Pip & Miriam Meyerson, Seattle.
Still Life with Tallis. Mixed media drawing, ca. 1986. Collection Rainer Waldman Adkins & Deb Figen, Seattle. 
A Brooch for Gunboat Diplomats.  Colored pencil. 36 x 24. 1989 (?) 
     Collection Joan Prugh & Walter Gerash, Denver, Colorado.
Auschwitz: The Dead Will Be Avenged (Collection, Hillel, Columbia, MO); 48 x 24.  Mixed media wet & dry drawing media on paper. 1978. 
St. Louis Cathedral. Approx. 18 x 24. Ink. Private collection, Missouri.
Igor Stavinsky De-Masked. Ink and colored pencil.  48 x 48. Collection Dr. Mort Palken, Seattle
Lincoln: A Death Mask. Mixed media. 36 x 24. 1981 (?) Coll. of the artist
Prisoner of Conscience: Dedicated to Lech Walesa & Solidarnosc.
     36 x 24. 1981. Collection of the artist.
Visit Seattle. Mixed media drawing, 1983-84.
Purchased by Rainier Bank 1984; current whereabouts unknown. 
La Terre C’est Bien. 1985. 36 x 48. Mixed media drawing.
     Purchased by Rainier Bank, current whereabouts unknown.
It Is What It Is / They Are What They Are, 50 x 62. Mixed Media drawing. 1984-85. Whereabouts unknown (destroyed?)
Such A Lovely Harbor. 34 x 45. 1983-84. Purchased by Rainier Bank.
    Mixed media drawing. Current whereabouts unknown.
Haystacks. Approx. 50 x 62. Mixed Media drawing. 1984-85.
    Whereabouts unknown – destroyed?
Rutusz Town Hall, Nowy Sach, Poland. 1984.  Collection Rainer Adkins and Deb Figen, Seattle.
Blades of Grass. Ink. 18 x 24. 1975. Collection Larry Bernstein,
Carbondale, Illinois.
Still Life with Fan. Ink. 18 x 24. 1975. Collection of SIU MFA Ceramics grad John Gilmore of Ohio, as of 1975
Portrait of Samuel Gompers. Mixed media. Coll. of the artist.
Isle of Skye. Ink drawing, with postage stamps. 12 x 18. Ink.
     Collection Bob Whittet, Missouri 
Aberdeen Harbour. Ink, with postage stamps. Approx. 12 x 19. Ink.
    Collection Ellen Bruce, Mass.  
Cow Near Cupar-Fife, Scotland. Ink. 18 x 24. 1987. Private collection, Cupar-Fife 
Trekking to XYZ, ink and colored pencil drawing, approx. 16 x 20, 
      Collection Dr. Charles Hale & Dot Stansel, Seattle).
Galloping Through Cactus. Ink, colored pencil, gouache. 1988-89. 
     18 x 24.  Hale and Stansel Collection, Seattle.
Birth of an Ichthyologist #’s 1-4. Four mixed media works, each 24 x 36, ca., 1980-83
Croundo Terthes in Your Checkbook. 18 x 24. Private collection, Seattle. Watercolor & ink.
Inverse Energetics # 2030. Private collection – Missouri. Mixed media drawing (?)
The Dance (no information available) 
Mt. Rainier, colored pencil drawing. 
Deirdre on the Half Shell- Miami Beach.  Pencil, colored pencil. 10 x 14.
   Collection of Dr. Charles Hale, Seattle.


 
Some artworks seen in Other Segan Art and Other Segan Art - Judaic are not listed in the above listings.